2.The 'conversation' is an end in itself. It exists in a different realm, an enchanted one, creating a connection between different universes and the multitudes inhabiting them. It is alchemy, not the sort which seeks to create pure gold, but which one which thrives in imperfections. Feels like being in a good existential French movie.
5.The modern Malta I love: a Brazilian, an Argentinian, a Romanian, a Serb, a Latvian, and a Maltese sitting around a table celebrating Orthodox Easter and talking about the good things in life. Feels like being in a good Spanish (Almodóvar like) movie. The good things in life.
7. Spending time with a dog is a wonderful learning experience. I never had a dog. When I was a child used to be scared of them. I am also told that as a baby an over enthusiastic dog called spotty had jumped on me. What striked me most about this experience is that dogs have a personality. They have their own networks (of smells) and they have more comfortable relationship with shit and corporal smells. They also communicate emotions and affection, which may be for purpose of a reward but how delighted I was when Asti came next to me in the middle of the night. Then there is the sociological aspect; how dog people interact in parallel to dog interactions. But the most surprising thing is that you can talk to a dog. Not that the dog understands human language. But neither does the dog ignore it. In some instances you get the sensation that the dog is responding to your thoughts and feelings. Then finally there is the leash. Can't but admire the rare moment of anarchistic refusal to follow the lead. Of course part of it is human projection. But there is something beautiful in the relationship, the tensions which underline affection, protection and freedom....of course not dominance in my case, pity the dogs owned by bigots and fascists.
12. Schrodinger's cat in an inbox on an iphone.
13. "In Between Days” and in between things. Love that song by The Cure. I have always felt drawn to stand in between things. The ambiguity of that space is challenging and intellectually stimulating, especially when you are at intersections pregnant with possibilities, points where life branches out like roots and mycelium. Even in politics, I have always liked that in-between space between socialism and anarchism and their various derivatives. And while I can feel passionately about my beliefs, i always start from self doubt and irony. That is also why I see friendships and romance as a spectrum of different ways of togetherness and that every meaningful relationship is a world of its own. The same applies to sexual identity. There is a whole spectrum even within being heterosexual and having a penis, apart from the fact that 'heterosexuality' and 'maleness' are socially constructed, while being me cannot be reduced to being a male who is attracted to females, apart from the fact that attraction itself is a rainbow.
15. Chunking Express (1994) is a cinematic embodiment of Zygmunt Bauman’s concept of "liquid love"—the idea that in modern, fast-paced, urban environments, human bonds become fragile, ephemeral, and easily replaced. But it touches another level; the value of ephemeral connections. Wong Kar-wai finds a strange, melancholy beauty in liquidity. He suggests that if everything is destined to expire (like pineapple cans), then the briefest moments of kindness and connection carry an almost magical weight.
18.I think the most radical choice in life is to be real in all circumstances. But I am aware that the borderline between the act and the real is blurred. In a way, authenticity can be the most deceptive act. We have seen this in far-right politics, where ignorant bar talk becomes a badge of authenticity. Bashing intellectuals as elitist is part of the game. It is because sophistication, intellect and good taste can be threatening to people living very dull lives. Theirs is not rebellion; it is just angst.
Sure, it becomes even more difficult to strike an elusive balance between the real and the act when you have some sort of public persona to keep up, and you are perceived by others on the basis of what you write, sometimes on matters about which you have absolutely no strong feelings (for example, Maltese politics). Moreover, what does it mean to be real and authentic, especially considering that I am a multitude of contradictory things? How can you convey authentic feelings when you lean towards the in-between, the complex and the undefined?
One can say that authenticity boils down to actions, not words. True, but actions are also part of the act. This brings me to the question of how to cope with the dissonance between the self with which you are most at ease and the other aspects of life you perform to survive. There is also the problem of which self to show to different people.
There are some people with whom I instinctively show the side of myself with which I am most at ease. That feels great, even if it does not come without problems, because it means exposing my awkwardness. So, to some extent, solitude provides a comfort zone. But since the shrink told me to get out of my comfort zone, I am a bit lost.
31. There are mornings when you wake up with a different kind of lightness, one that comes from self-awareness and submission not to self-imposed rules but to life itself — a slow lightness that does not yearn but simply feels: a gentle melancholy.