Voting for genocide?

Irrespective of the Israeli singer—who witnessed and lived through a horrific war crime—and the song itself (unremarkable, but not bad), it was disturbing that a significant number of Europeans voted for a song representing a state currently committing extensive crimes against humanity, including the use of starvation as a weapon of war and the killing of 54,000 people.

Just imagine if Russia had been allowed to participate while bombing Ukraine and was close to winning the contest. Thankfully, we were spared that embarrassment because Russia was excluded. Had that happened, some might have questioned the algorithms that made such a result possible.  

But perhaps this also shows that support for Israel goes deeper and extends beyond  European Union officials and national governments.  Still one also has to account for the nature of the vote which is  more indicative of a solid cohort of support in a context of 'diffuse alternatives'.  Furthermore people who wanted to make a political statement by supporting the Israeli entry were more likely to vote 20 times than others who were simply enjoying the night.  Moreover opinion polls in the United Kingdom which gave Israel 12- full points show that only 17% say that their sympathies lie with Israel in the current war in Gaza while 26% sympathise with the Palestinians.  

Still, the fact that a solid cohort continues to support Israel despite the genocide unfolding on our screens—in a context where one would have to be blind not to see it—is disturbing in itself. It partly reflects the rightward drift across Europe. Maybe Malta’s entry—which embodied the kitschy, queer, Euro-pop aesthetic—would have fared better a decade ago, when that vibe held more political currency.

So, should one read too much into a song contest? Maybe not. But it is the closest thing to a European fun night—a moment of collective attention. And for that reason alone, it matters.